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FUMA-logo-white-long.png

Bee-stung lips

Barbara Hanrahan works on paper 1960-1991

A Flinders University Museum of Art touring exhibition presented in collaboration with Country Arts SA
Curated by Nic Brown

Touring exhibition guide

Sex, beauty & the stage 

Becoming plant, becoming animal 

Domestic comforts & anxieties 

Celestial bodies & the afterlife 

Sex, beauty & the stage

Barbara Hanrahan produced a body of work informed by British and American popular culture of the 1960s and 1970s, a period when she lived predominantly in London (between 1964 and 1977).  The ideas conveyed here speak to sexual politics, ideals of beauty, and performance, as they relate to consumer, media and popular culture.  Song lyrics and 1950s rock ‘n’ roll icons such as Buddy Holly feature in her work, which plays with the hero and sex symbol status of male rock stars in tandem with sexualised female groupies.  In addition to music, Hanrahan was influenced by carnivals from her travel through Mexico and Spain, which saw the inclusion of domino masks (thin masks across the eyes) and mask-like faces in her work.  She maintained a curiosity with 19th century circus as evident by imagery of performers such as acrobats, clowns, tightrope walkers, as well as stage-like curtains and arenas in her prints. Hanrahan was also informed by 1970s second wave feminism.  She considers the performance of beauty and her compositions parody 1950s newsprint and early 1960s television commercials that promulgate time-consuming beauty routines and ideals for women - for the pleasure of men - to achieve love or social acceptance. 

webTAN 1914.092.jpg

1. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Fat folk fade faster, 1985
Adelaide
etching, yellow and black inks on paper
50.8 x 35.5 cm (image), artist's proof

Private collection, Adelaide

web2978.011.jpg

2. Barbara Hanrahan
Australia 1939 – 1991

Alec Bolton (printer)
Australia 1926 – 1996

Brindabella Press (publisher)
1972 – 1996 (organisation)

Beauty and beast, 1989, published 1990 for the portfolio Twelve linocuts: a suite of prints
Canberra
linocut, ink on cream paper
38.3 x 22.5 cm (image), ed 93/100

Flinders University Museum of Art, Adelaide 2978.011

webTAN 1914.139.jpg

3. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Box of beauty, 1976
London
lithograph, red, green and black inks on paper
61.6 x 46.3 cm (image), ed 5/8

Private collection, Adelaide

webTAN 1914.078.jpg

Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Smile, 1987
Adelaide
linocut, ink on paper
55.8 x 37 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.084.jpg

5. Barbara Hanrahan
Australia 1939 – 1991

Beauty and wowsers, 1964
London
hand-coloured etching with plate tone, black, yellow and red inks on paper; linocut, red and green inks on paper
61.2 x 47.9 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.083.jpg

6. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

The ant queen, 1985
Adelaide
etching, blue, yellow and pink inks on paper
61.8 x 45.4 cm (image), ed 6/25

Private collection, Adelaide

webTAN 1914.113.jpg

7. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Run rabbit run, 1978, printed 1989
Melbourne
hand-coloured etching, colour inks on paper
25.7 x 30.4 cm (plate), ed 23/25

Private collection, Adelaide

webTAN 1914.100.jpg

8. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Touch dancing, 1983
Adelaide
etching, aquatint with plate tone, ink on paper
40 x 41.5 cm (plate), ed 9/45

Private collection, Adelaide

webTAN 1916.002.jpg

9. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Passion house, 1983
Adelaide
etching and drypoint with plate tone, blue ink on paper
33.5 x 31.5 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.070.jpg

10. Barbara Hanrahan
Australia 1939 – 1991

Waiting room, 1975
London
screenprint, red, green and black inks on paper
42 x 62.6 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.066.jpg

11. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Dear Miss Ethel Barringer, 1975
London
etching with plate tone, ink on paper
61 x 44 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.060.jpg

12. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Rock me mama, 1983
Adelaide
hand-coloured etching, colour inks on paper
35.3 x 25.5 cm (plate), artist's proof

Private collection, Adelaide

webTAN 1914.134.jpg

13. Barbara Hanrahan
Australia 1939 – 1991

Homage to Buddy Holly, 1966
London
etching with plate tone, black, red and yellow inks on cream paper
61.8 x 47.2 cm (plate)

Private collection, Adelaide

web5769.jpg

14. Barbara Hanrahan
Australia 1939 – 1991

Moss-haired girl, 1977
London
screenprint, colour inks on paper
63.3 x 33.1 cm (image), ed 10/11

Gift of Jonathan P. Steele
Flinders University Museum of Art, Adelaide 5769

webTAN 1914.111.jpg

15. Barbara Hanrahan
Australia 1939 – 1991

Vanishing lady, 1984
Adelaide
gouache on paper
53.6 x 36 cm (image)

Private collection, Adelaide

webTAN 1914.131.jpg

16. Barbara Hanrahan
Australia 1939 – 1991

Acrobat, 1982
London
screenprint, colour inks on paper
35.8 x 30 cm (image), ed 12/30

Private collection, Adelaide

webTAN 1914.096.jpg

17. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Vanishing act,
1989
Melbourne
hand-coloured linocut, colour inks on cream paper
49.4 x 35 cm (image), ed 11/13

Private collection, Adelaide

webTAN 1914.093.jpg

18. Barbara Hanrahan
Australia 1939 – 1991

Daisy Carnival blues, 1977
London
screenprint, colour inks on paper
45 x 55.4 cm (image), ed 6/40

Private collection, Adelaide

webTAN 1914.022.jpg

19. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Cabinet of curiosities,
 1990
Melbourne
hand-coloured etching with plate tone, red and black inks on cream paper
46.1 x 34 cm (plate), artist's proof

Private collection, Adelaide

webTAN 1914.106.jpg

20. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

The puppet-master,
 1989
Melbourne
linocut, black, red and green inks on buff paper
62.2 x 42.5 cm (image, irreg.), ed 4/20

Private collection, Adelaide

Domestic comforts & anxieties

Ongoing concerns in Barbara Hanrahan’s practice include social expectations for women relating to the institution of marriage and motherhood, as well as the interconnection of family members and cycles of generations. She explores these concepts through imagery that speaks to dreaming and fantasy, as well as memory and memorialisation, in both the private sphere of the mind and intimate domestic spaces of the home.  In this way, iconography specific to the home and family feature in her work. Hanrahan’s ancestors and immediate family are often depicted, with a focus on her mother Ronda, father Bob (who died when the artist was one), and grandmother Iris Pearl who was key in raising the artist as a child. Cosy floral curtains, wallpaper, sensual chaise lounges and the awkward marital bed, as well as flourishes of cottage garden flowers and lively domestic animals (birds, cats, chickens and the artist’s childhood dog, Tinker) populate these compositions.  Images of family members from different time periods are overlaid with the artist’s school photographs.  Escapist mothers fly against a backdrop of 1960s pop songs, while Hanrahan’s grandmother - depicted as a young woman - fantasizes about future and past weddings.  In these works the innocence and play of children under the warmth of the sun is rendered in contrast to the anxieties, daydreams and complexities of adulthood.

webTAN 1914.069.jpg

21. Barbara Hanrahan
Australia 1939 – 1991

Flying mother,
 1976
London
screenprint, colour inks on paper
59 x 48 cm (image), ed 19/27

Private collection, Adelaide

webTAN 1914.056.jpg

22. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Generations,
 1991
Melbourne
etching, black and yellow inks on paper
25.6 x 20.7 cm (plate), ed 5/20

Private collection, Adelaide

webTAN 1914.088.jpg

23. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Untitled,
 early 1980s
etching, ink on paper
39 x 48 cm (image)

Private collection, Adelaide

webTAN 1914.041.jpg

24. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Doll kewpie,
 1983
Adelaide
hand-coloured etching with plate tone, colour inks on paper
50.3 x 32.8 cm (plate), artist's proof

Private collection, Adelaide

web5768.jpg

25. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Birth,
 1986
Adelaide
linocut, ink on paper
57.8 x 40.5 cm (image, irreg.), ed 16/25

Gift of Jonathan P. Steele
Flinders University Museum of Art, Adelaide 5768

webTAN 1914.029.jpg

26. Barbara Hanrahan
Australia 1939 – 1991

Red shoes,
 1982
London
screenprint, colour inks on paper
54.9 x 40.8 cm (image), ed 7/15

Private collection, Adelaide

webTAN 1916.004.jpg

27. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Bride,
 1985
Adelaide
etching, colour inks on cream paper
56.4 x 45.4 cm (image), artist's proof

Private collection, Adelaide

web2830.jpg

28. Barbara Hanrahan
Australia 1939 – 1991

Snapshot,
 1982
London
screenprint, colour inks on paper
75.4 x 53.8 cm (image), artist's proof

Flinders University Museum of Art, Adelaide 2830

webTAN 1914.103.jpg

29. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Snapshot,
 1978
Adelaide
hand-coloured etching, colour inks on paper
35.2 x 25.4 cm (plate), artist's proof

Private collection, Adelaide

webTAN 1914.010.jpg

30. Barbara Hanrahan
Australia 1939 – 1991

Michael and me and the sun,
 1964
London
etching, blue ink on paper
50.5 x 39.3 cm (plate), artist's proof

Private collection, Adelaide

web5770.jpg

31. Barbara Hanrahan
Australia 1939 – 1991

Wedding night
1977
London
screenprint, colour inks on buff paper
64.5 x 46.7 cm (image), ed 2/17

Flinders University Museum of Art, Adelaide 5770

webTAN 1914.020.jpg

32. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

My family,
 1978
Adelaide
etching, ink on cream paper
56.1 x 40.5 cm (image, irreg.), ed 5/10

Private collection, Adelaide

webTAN 1914.014.jpg

33. Barbara Hanrahan
Australia 1939 – 1991

Reece,
 1982
London
screenprint, colour inks on cream paper
29.2 x 24.2 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.055.jpg

34. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Dog of darkness,
 1978
Adelaide
hand-coloured etching with plate tone, colour inks on paper
35.5 x 25.3 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.013.jpg

35. Barbara Hanrahan
Australia 1939 – 1991

Ancestors,
 1984
Adelaide
pen and gouache on grey paper
29 x 23.5 cm (image)

Private collection, Adelaide

webTAN 1914.033.jpg

36. Barbara Hanrahan
Australia 1939 – 1991

Iris pearl dreams of a wedding,
 1977
London
screenprint, colour inks on buff paper
71 x 51.7 cm (image, irreg.), ed 17/30

Private collection, Adelaide

webTAN 1914.089.jpg

37. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Two girlfriends in a garden,
 1975
London
etching, aquatint, soft-ground etching and foul-biting with plate tone, ink on cream paper
44.7 x 35.5 cm (image), ed 2/4

Private collection, Adelaide

webTAN 1914.099.jpg

38. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Girls and birds,
 1988
Adelaide
hand-coloured linocut, colour inks on cream paper
30 x 50 cm (image), ed 1/35

Private collection, Adelaide

webTAN 1914.098.jpg

39. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Rose Street girls,
 1988
Adelaide
hand-coloured etching, colour inks on cream paper
50.6 x 45.5 cm (image), ed 4/6

Private collection, Adelaide

Becoming plant, becoming animal

An enduring love of the natural world, with a focus on the home garden, is evident in Barbara Hanrahan’s practice. She explores intimate and entangled relations between humans, plants and animals that speak of care for the environment and its inhabitants, as well as the fragility of life.  Here, figures are depicted either holding or surrounded by domestic animals - pets, such as cats, dogs and chickens - while birds act as guardians and perch in nests of hair instead of tree branches. Insect fauna including honeybees, butterflies, and dragonflies swarm Earth mother-like characters that embrace and nurture the abundance of nature’s ecosystems. This rich interconnection provides a striking contrast to today’s rapidly declining populations of animal species and habitat loss as a result of anthropogenic climate change and agriculture.  Other compositions depict naked women partially transformed into trees, moths and fish, or riding giant roosters, whereas children are situated within gardens that grow giant flora.  Many works feature Hanrahan’s ubiquitous sunflower imagery, which reference the poem ‘Ah! Sun-flower’ by the English mystic, poet and artist William Blake (1757–1827).  First published in his anthology Songs of experience (1794), the poem alludes to the weariness of mortality and the desire for ‘sweet’ timelessness in the afterlife.  The fragility of existence is also conveyed through the metaphor of the ephemeral flower, where figures seem composed entirely of plant material: cottage garden blooms such as zinnia, poppies, star flowers and California fuchsia.

webTAN 1914.137.jpg

40. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Boy and girl, 
1987
Adelaide
linocut, ink on paper
73 x 54.5 cm (image, irreg.), artist's proof 2

Private collection, Adelaide

webTAN 1914.133.jpg

41. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Girl with a cat, 
1988
Adelaide
linocut, ink on paper
71.5 x 51.1 cm (image, irreg.), ed 20/35

Private collection, Adelaide

webTAN 1916.001.jpg

42. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Girl with dogs, 
1989
Melbourne
linocut, black and red inks on paper
62.5 x 36.5 cm (image, irreg.), artist's proof

Private collection, Adelaide

webTAN 1914.065.jpg

43. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Carol, 
1962, printed 1988
Adelaide
hand-coloured linocut, colour inks on paper
32 x 45 cm (image, irreg.), ed 15/25

Private collection, Adelaide

webTAN 1914.018.jpg

44. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

The dog, the cat, 
1962, printed 1988
Adelaide
hand-coloured linocut, colour inks on paper
43.5 x 48 cm (image, irreg.), ed 3/25

Private collection, Adelaide

web2978.007.jpg

45. Barbara Hanrahan
Australia 1939 – 1991

Alec Bolton (printer)
Australia 1926 – 1996

Brindabella Press (publisher)
1972 – 1996 (organisation)

Rooster girls, 1989, published 1990 from the portfolio Twelve linocuts: a suite of prints
Canberra
linocut, ink on cream paper
43 x 31 cm (image), ed 93/100

Flinders University Museum of Art, Adelaide 2978.007

web2978.005.jpg

46. Barbara Hanrahan
Australia 1939 – 1991

Alec Bolton (printer)
Australia 1926 – 1996

Brindabella Press (publisher)
1972 – 1996 (organisation)

Tiger lady, 1989, published 1990 from the portfolio Twelve linocuts: a suite of prints
Canberra
linocut, ink on cream paper
43 x 29.6 cm (image), ed 93/100

Flinders University Museum of Art, Adelaide 2978.005

webTAN 1914.101.jpg

47. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Girl with birds, 1988
Adelaide
hand-coloured linocut, colour inks on paper
60 x 43.6 cm (image), ed 6/12

Private collection, Adelaide

webTAN 1914.102.jpg

48. Barbara Hanrahan
Australia 1939 – 1991

Girl with birds, 1976
London
screenprint, colour inks on paper
50 x 34 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.052.jpg

49. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Summertime girls, 1991
Melbourne
hand-coloured etching, colour inks on paper
34.8 x 50.8 cm (plate), ed 5/30

Private collection, Adelaide

webTAN 1914.126.jpg

50. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Springtime, 1989
Melbourne
etching with plate tone, ink on paper
30.5 x 22.8 cm (plate), ed 7/60

Private collection, Adelaide

webTAN 1914.023.jpg

51. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Tree of life, 1989
Melbourne
woodcut, ink on paper
38.9 x 29.5 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.135.jpg

52. Barbara Hanrahan
Australia 1939 – 1991

Rain garden, 1982
London
screenprint, colour inks on paper
28.9 x 26.1 cm (image), ed 16/24

Private collection, Adelaide

webTAN 1914.112.jpg

53. Barbara Hanrahan
Australia 1939 – 1991

Untitled
, 1974
London
pen and gouache on cream paper
70.5 x 55 cm (image, irreg.)

Private collection, Adelaide

webTAN 1916.007.jpg

54. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Conversation with flowers, 1974
London
etching with plate tone, ink on cream paper
49.3 x 37.2 cm (plate), ed 2/30

Private collection, Adelaide

webTAN 1914.085.jpg

55. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Earth mother, 1975
London
etching with plate tone, red ink on paper
58.5 x 45.6 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.090.jpg

56. Barbara Hanrahan
Australia 1939 – 1991

Botanical man, 1966
London
etching with plate tone, ink on paper
49.6 x 39.6 cm (plate), artist's proof

Private collection, Adelaide

webTAN 1916.003.jpg

57. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer)
Australia 1939 –

Floral lady, 
1973
London
etching with plate tone, ink on cream paper
49 x 34.3 cm (plate), artist's proof

Private collection, Adelaide

webTAN 1914.086.jpg

58. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

The beloved
, 1974
London
etching with plate tone, ink on paper
49.3 x 29 cm (plate), artist's proof

Private collection, Adelaide

webTAN 1914.116.jpg

59. Barbara Hanrahan
Australia 1939 – 1991

This necklace of water drops
, 1982
London
screenprint, red and green inks on paper
56.7 x 40.9 cm (image), ed 25/30

Private collection, Adelaide

Celestial bodies & the afterlife

Throughout her practice Barbara Hanrahan maintained a fascination with life, death and the world beyond.  An ongoing motif, the ‘eye of God’ – an image of a giant eye – which her partner Jo Steele refers to as ‘the feeling of … God’, populates many of the artist’s compositions.  Such works are often accompanied by celestial imagery including the sun, moon and stars and reflect Hanrahan’s enduring love of the written and visual works of English mystic, artist and poet William Blake (1757-1827), for whom the ‘eye’s of God’ were ‘Angels of the Divine Presence’.  Blake utilised celestial bodies and natural entities symbolically throughout his career to explore the interconnected themes of earthly experience and eternal life.  This inspired Hanrahan, who, with the resurgence of a cancer diagnosis in the late 1980s, produced a significant body of work that focused on angels.  Angelic beings and other characters represented throughout her work, are at times marked with a sinuous motif between the eyes.  This recurring spiritual iconography is comparable with the visual code, ‘WU’, utilised by the mystic and pioneering abstract artist Hilma af Klint (1862–1944) and which for Klint represents the ‘essence of all human spirit’.  Another motif for Hanrahan is the recurrent depiction of homely curtains, which for the artist, acts as a portal to what Steele describes as the ‘mystery beyond death’.

web1846.jpg

60. Barbara Hanrahan
Australia 1939 – 1991

The eye of God
, 1974
London
hand-coloured linocut, colour inks on buff paper
51 x 38 cm (image), artist's proof

Flinders University Museum of Art, Adelaide 1846

web1848.jpg

61. Barbara Hanrahan
Australia 1939 – 1991

Ah sunflower!
, 1982
London
wood-engraving, ink on paper; screenprint, red ink on paper
27.1 x 14 cm (image, irreg.). ed 2/35

Flinders university Museum of Art, Adelaide 1848

webTAN 1914.061.jpg

62. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Women and the moon
, 1989
Melbourne
linocut, red and black inks on paper
46.9 x 34.5 cm (image), ed 5/14

Private collection, Adelaide

web5767.jpg

63. Barbara Hanrahan
Australia 1939 – 1991

Man in the Moon
, 1982
London
screenprint, colour inks on cream paper
70 x 52 cm (image), artist's proof

Gift of Jonathan P. Steele
Flinders University Museum of Art, Adelaide 5767

webTAN 1914.053.jpg

64. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Girl and the moon
, 1990
Melbourne
hand-coloured etching, yellow, blue and black inks on paper
25.7 x 20.6 cm (plate), ed 4/25

Private collection, Adelaide

webTAN 1914.054.jpg

65. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Angels in the garden
, 1989
Melbourne
etching with plate tone, ink on paper
50.5 x 40.8 cm (image), ed 19/25

Private collection, Adelaide

webTAN 1914.125.jpg

66. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Angels and children
, 1989
Melbourne
relief etching, ink on paper
25.9 x 22.2 cm (image), ed 13/25

Private collection, Adelaide

webTAN 1914.075.jpg

67. Barbara Hanrahan
Australia 1939 – 1991

Memento mori
, 1976
London
screenprint, colour inks on paper
60.4 x 42.4 cm (image), ed 6/23

Private collection, Adelaide

webTAN 1914.016.jpg

68. Barbara Hanrahan
Australia 1939 – 1991

Untitled
, 1983
Adelaide
gouache on paper
76.5 x 57.2 cm (image & paper)

Private collection, Adelaide

webTAN 1914.071.jpg

69. Barbara Hanrahan
Australia 1939 – 1991

Jungle lovers
, 1977
London
screenprint, colour inks on paper
72 x 543 cm (image), ed 15/20

Private collection, Adelaide

webTAN 1914.019.jpg

70. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

There is from great eternity...
, 1989
Melbourne
etching, ink on cream paper
50 x 33.7 cm (image), artist's proof

Private collection, Adelaide

webTAN 1914.051.jpg

71. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Angels and children
, 1989
Melbourne
hand-coloured etching, colour inks on cream paper
25.5 x 22 cm (plate), ed 3/25

Private collection, Adelaide

webTAN 1914.057.jpg

72. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

Tell me! Tell me!
, 1989
Melbourne
etching with plate tone, ink on paper
30.7 x 22.8 cm (plate), artist's proof

Private collection, Adelaide

webTAN 1914.046.jpg

73. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

The angel
, 1989-90
Melbourne
hand-coloured etching, colour inks on paper
34.8 x 22 cm (plate), ed 3/30

Private collection, Adelaide

webTAN 1914.036.jpg

74. Barbara Hanrahan
Australia 1939 – 1991

Jonathan P Steele (collaborating printer) 
Australia 1939 –

The angel
, 1991
Melbourne
linocut, ink on paper
68.5 x 48.5 cm (image), ed 2/20

Private collection, Adelaide

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Flinders University Museum of Art
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